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Filtering by Tag: who are you writing for?

The Most Important Platform-Building Tip I've Ever Heard

andrew mackay

I have the opportunity, by virtue of my work, to attend a number of writer's conferences. Of course, the topic that never gets far from writer's brains these days is platform. "How do I build a platform?" "Why do publishers care so much about platform?" "Oh yeah, she got an agent... but look at her platform."

Seriously, it's everywhere.

We treat it like a novelty, like authors caring about finding an audience is somehow new. I promise, while the places we find our audience have changed, while technology has made it easier -- in some ways -- to quantify, authors, or at the very least publishers, have always cared about finding an audience.

That's because most of us don't write just for writing's sake. We write to communicate ideas or to have an impact. I want to tell stories that brighten a child's day, the way so many great writers did for me. You may want to spread the word about adoption from foreign countries or encourage a revival in the church or bring light to a dark place. The way you do that, if you're a writer, is by writing well and being read.

So, how do we build these platforms? There are whole books that talk about mechanics, and those are great. There's also enough web content to circumnavigate the globe several times. But I think the heart of it is actually very simple. I didn't come up with this, but it's a truth I've held dear to my heart. It's the best platform building tip I've ever heard. Sadly, when I heard it, I didn't write it down. I didn't note who said it. But over time, it's become clear to me that it is the key:

Decide who your audience is and love them.

Love them by creating great free content for them. Love them by creating great purchasable content for them. Love them by connecting them to other things that they will love. Love them by creating experiences they will love.

It's not a bad thing to want to make money from providing value for people. That's actually exactly how it works with every other job. My plumber creates value by fixing things I don't know how to fix. My doctor does too. They make my life better.

And no one ever gets mad about it. I've never thought to myself, "That Andrew Peterson... I'm so mad about the great music he makes that I keep on buying," or "That Leif Enger... I hate it that when he releases a book, I feel like I have to own it." 

Make lives better. That's your job as a writer. You'll find your platform.


Best of: Who Are You Writing For?

andrew mackay


We'll be bringing you our favorite posts from our old site as we migrate to the new site. Enjoy!

Originally Published: Thu, 22 Oct 2009 17:40:50  - Jenni Burke, DC Jacobson & Associates

As Christian authors, perhaps the first response that sprang to mind when you read this headline was, “Jesus!”

But what I actually mean to ask you is this: When you sit down each day to work on your manuscript, do you have a specific reader pictured in your mind?

If not, you should.

Identifying your “target market” or audience is much more than an obligatory paragraph for a book proposal. This valuable exercise will actually help you establish the tone, structure, and approach for most effectively delivering the content or characters for your book.

Just as a love letter would feel cold and insincere if the writer didn’t truly know his beloved, or an important phone call would be in vain if the caller dialed the wrong number, a book will miss its mark if the author doesn’t write with her audience in mind. Whether you write fiction or nonfiction and whether your goal is to independently publish or to land a royalty publisher, you need to develop a very clear answer to the question, Who am I writing to?

Beware the common tendency to over generalize your audience. Our agency, DCJA, reviews myriad proposals and manuscripts that hold promise but come up short partly because they lack connection to a clearly defined target market. Agents and editors cringe when we read sweeping statements like, “This book will appeal to everyone—men and women between 15-85 years old, Christian and non-Christian alike, and anyone who has ever wondered about God.”

A good writer knows who his audience is (demographics) and what makes them tick (psychographics). Mike Hyatt, CEO of Thomas Nelson, helps authors understand demographics as “external characteristics” and psychographics as “internal motivators” in his foundational article, Writing a Winning Book Proposal.

We have found success using the following questions with our represented authors and consulting clients. You can apply them to your own situation to clarify your vision of who you’re writing to. I encourage you to pull out a notepad or start a fresh word-processing document and jot down your answers to these questions:

  • What is the demographic of your primary audience (e.g. gender, age, religious background, education, socio-economic status, occupation, geographical location, etc)? Describe the characteristics of your target reader.
  • What is the psychographic of your primary audience (e.g. what felt need will drive them to buy your book, why will they benefit from your book, what are their frustrations or desires, how can/have you written the book to tie in to their interests, etc)? Describe the motivations of your target reader.
  • What are the characteristics and motivations of your secondary and (if applicable) tertiary audiences? Hint: think of your primary audience as the “bulls-eye” of your target and the secondary and tertiary audiences as the next concentric circles.

And, especially if you want to pitch your book idea to an agent or estimate your book’s sales potential:

  • How many of your target readers exist? Do your research and give statistics if possible. Be realistic.
  • How will you reach them with your message? What are their shopping and buying behaviors? Will you find them at your conferences, on the internet, in book stores?

Once you have a clear picture of your target audiences in mind, you can tailor your message to deliver maximum impact. Keep their needs, interests, and behaviors before you as you write and plan, then periodically check in to make sure you stay on track. Ask people you respect who fit your target market “profile” to honestly review your work (not just family and friends).

A real-life example of understanding your audiences’ needs is found in a nonfiction book DCJA recently placed with a major Christian publisher, Escaping the Vampire. The book’s primary audience is teen girls who love the Twilight series. The secondary audience is teen girls who are unsure about Twilight but do read Christian books. And the tertiary audience is parents and youth ministers seeking to connect with their Twilight-obsessed teens. Envisioning these three unique yet intermingled types of reader, you can imagine the implications the author had to balance while writing this book (and the opportunities her marketing team had in promoting it)! She needed to open girls’ eyes to their true Hero, Christ, without alienating the “Twilighters” who would slam the book shut if they sensed it bashing their beloved Edward Cullen. By understanding the tensions and desires in her readers’ hearts and cultural context, she was able to present the vital truth of Christ’s love and reveal common “life-sucking” deceptions in a way each of her audience groups would receive.

Another one of our authors even cut out a magazine picture of a person who represented his “bulls-eye” reader and placed it in a frame on his desk. Now that is a way to visualize who you are writing for!

QUESTION: What challenges or successes have you encountered in defining a target audience for your book? We look forward to hearing your perspective.